T-tuned BLACKWING7 primes are very much the workhorse lenses in the BLACKWING7 range. They have a tuning profile which further exaggerates contrast roll-off to the edge of the frame and…
A standard by which other prime lenses were measured between the 1930’s and 1950’s, the Cooke Speed Panchros were estimated by George Eastman to have captured approximately 90% of 16mm…
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke to introduce a modern re-design of these heritage lenses for Super35 cameras, true to…
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus…
Optimised for film and digital cameras reducing lateral colour aberration and providing an organic bokeh, S7/i FF prime lenses are designed to provide maximum performance at full aperture with superior…
The S8/i are cutting edge, state-of-the-art high speed full frame lenses motivated by feedback from cinematographers wanting to create more realistic and film-like images with spherical lenses for digital motion…
The Anamorphic/i Super35 harness all the anamorphic lens characteristics demanded by filmmakers today and historically for film and digital image capture. They encompass the Cooke Look with distinctive oval bokeh…
Eight high-speed focal lengths from 32mm to 180mm, all colour matched for different needs, including a macro focus 85mm lens. Coverage circle covers a full 24 x 36 still size…
At the time of their release the Leitz SUMMILUX-C prime lenses were the most revolutionary lenses designed for cinematography in decades, quickly earning a Scientific and Engineering Award from the…
These popular Japanese anamorphic lenses have a 2x squeeze factor, low contrast and rich, warm colors. The lenses flare relatively easily and render smooth, creamy images with vintage characters. They…